Archivist Adrian Wood describes how outtakes revealed the lies behind Nazi documentary footage.
An update on the plight of the Nukus Museum.
Who was Gilbert Stuart? His most famous portrait may be more ubiquitous than even the Mona Lisa.
Those who are working to end female genital mutilation -- and some who practice it -- speak out.
Joisel recounts the thrill of his first creation and the years it took to achieve it.
For Joisel, choosing origami as his medium was a bit like falling in love.
From Tolkein to Dungeons & Dragons, Joisel often found inspiration in the fantastical.
For Joisel, his creations were like children, and parting with them cause for suffering.
Joisel's origami seashell is magnificently faithful to the real thing - inside and out.
Via prison telephone, Cyntoia recounts her past choices and hopes for a better future.
Center Point, TX was a "safe haven" for African Americans, with rich musical traditions.
Conrad's classmate, Robert Mims, believed students generally approved of desegregation.
What's happened to the Spirit of Goodwill band musicians since their big performance?
For Conrad - truly the embodiment of "Amazing Grace" - creativity is essential.
How has the earthquake impacted the already dire lives of Haiti's orphans?
On the championship tour, friendships flourish and stereotypes are dispelled.
Both gospel service and creekside chatter give the town it's rhythms and refrains.
Historian Jean Meyer describes how notions of revolution, history, and memory inform the film.
Step into a virtual mining town in Second Life.
What's your calling? What do you do to make your world a better place?
Hal Riney describes the innovative Saturn car campaign.
Abu Jandal on becoming a Jihadi and being Osama bin Laden’s bodyguard.
In 1940s Three Rivers, segregation extended from town to cemetery.
"Welcome to the CPL, life in a nutshell. Could be heaven, could be hell."
Gay Palestinian Boody talks about the threats he received on the U.S. screening tour of the film.
Is imitation sincerely flattery, or could it be an insidious form of mockery?
The filmmakers catch up with the girls to find out what has happened to them.
A young black entrepreneur in 1920 Paris brought African American jazz musicians to Montmartre.
When the crops dry up and the neighbors move away, rural schools struggle to stay open.
Reenacting an historically controversial event can challenge the documentary standard of objectivity.