 | Daisy Bates: First Lady of Little Rockby Sharon La Cruise A look at the life of African American political activist and newspaper publisher Daisy Bates. Women and Girls Lead, Independent Lens |
 | February One: The Story of the Greensboro Fourby Rebecca Cerese and Steven Channing One day at a Woolworth lunch counter, four young men changed the course of history. Independent Lens |
 | A Fragile Trust: Plagiarism, Power, and Jayson Blair at The New York Timesby Samantha Grant Jayson Blair was a young reporter whose shocking lies nearly destroyed The New York Times and forced the entire media industry to take a closer look at ethics, diversity, affirmative action, and responsibility in journalism. Independent Lens |
 | Girl Troubleby Lexi Leban and Lidia Szajko Shot over a period of four years, Girl Trouble documents the compelling personal stories of three teenage girls entangled in San Francisco's failing juvenile justice system. Independent Lens |
 | Guns & Mothersby Thom Powers Two mothers with opposing views on gun control expand the contentious debate to include women who fall on both sides of a historically male-dominated issue. Independent Lens |
 | Hard Road Homeby Macky Alston Hard Road Home follows two former felons in different stages of life on the outside. Independent Lens |
 | Have You Heard From Johannesburgby Connie Field This five-part series chronicles the history of the global anti-apartheid movement that took on South Africa’s entrenched apartheid regime and its international supporters who considered South Africa an ally in the Cold War. Independent Lens |
 | Herskovits at the Heart of Blacknessby Llewellyn Smith, Christine Herbes-Sommers, and Vincent Brown Herskovits at the Heart of Blackness examines the life and work of the Jewish anthropologist Melville Herskovits, whose writings challenged prevailing notions of race and culture. Independent Lens |
 | Hip-Hop: Beyond Beats and Rhymesby Byron Hurt Take an in-depth look at masculinity in rap music and hip-hop culture — where creative genius, poetic beauty, and mad beats collide with misogyny, violence, and homophobia. Women and Girls Lead, Independent Lens |
 | The House I Live Inby Eugene Jarecki From director Eugene Jarecki (Why We Fight) comes an unflinching look at how the War on Drugs has disproportionately disenfranchised, incarcerated, and impoverished African Americans. Independent Lens |
Viewing Topic: African AmericanView All
