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Anatomy of a Springroll

by Paul Kwan and Arnold Iger

One man's journey from the food-filled streets of San Francisco to Saigon, as he searches for the secret ingredient to blend the traditions of his family's culture with his adopted American life.

Global Voices

Ancestors in the Americas: Chinese in the Frontier West

by Loni Ding

The relationships between 19th century Chinese immigrants and the people and issues they encountered in America.

An Angel in the Village

by Frances McElroy

An Angel in the Village follows Lily Yeh's journey from young artist in China to international activist using art to transform destitute urban communities on two continents.

Bolinao 52

by Duc Nguyen

Global Voices

The Cats of Mirikitani

by Linda Hattendorf and Masahiro Yoshikawa

When 9/11 threatens 80-year-old Jimmy Mirikitani's life on the streets of New York, the artist begins to confront his painful past and finds hope, humanity, and home.

Independent Lens

Conscience and the Constitution

by Frank Abe and Shannon Gee

In 1944, 85 Japanese American prisoners in an American internment camp were prosecuted as criminals when they refused the draft.

Daughter from Danang

by Gail Dolgin and Vicente Franco

A Vietnamese mother and her Amerasian daughter are joyously reunited after 22 years, but their illusions are quickly shattered when the reality of cultural differences and years of separation sets in.

American Experience, Global Voices

Death of a Shaman

by Fahm Fong Saeyang and Richard Hall

Through a journey that takes her back to her roots in Thailand, a second-generation Mien American woman strives to come to terms with her late father’s death, his drug addiction, and the murder of her sister.

Independent Lens, Global Voices

The Delano Manongs

by Marissa Aroy

Larry Itliong instigated the great Delano grape strike of 1965 which resulted in the formation of the United Farmworkers of America, but the Filipino labor organizer has faded from popular memory.

Double Exposure

by Kit-Yin Snyder

An artist and self-proclaimed “old Chinese lady” sets out to explore her own identity and prove it’s never too late to take a risk by making her first film at the age of 68.

Independent Lens

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