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  • In Broken Sky, a young Rodrigo Cortinas (Carlos Sanchez) holds his son Mario

    In Broken Sky, a young Rodrigo Cortinas (Carlos Sanchez) holds his son Mario

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The Film

In 1997, Filmmaker Carlos Avila introduced television audiences to the world of foto-novelas through four original dramas inspired by the fantastic elements of the Mexican and Latin American pulp novel tradition. Avila returns with two new exhilarating stories inspired by the genre. Weaving everyday reality with otherworldly surrealism, these dramas feature contributions by established and emerging talents from across the spectrum of the Chicano and Latino artistic community.

“Junkyard Saints” is a spiritual thriller set in the tough, gritty world of an auto dismantling yard somewhere in rural South Texas. The story centers on Lalo Flores (played by Jeremy Ray Valdez), a Latino teenager recently released from a youth detention facility, and his growing acceptance of the son he has recently fathered. He works for Clemente (Leon Singer), who has the unusual habit of collecting the plastic dashboard saints that are extracted from the wrecked cars brought into the junkyard. Clemente believes these saints have failed to protect the drivers of these doomed vehicles and need to be “retired” to a shed he’s been filling with faulty saints for the last 30 years. When Lalo encounters Ray, a local drug dealer, he finds a different sort of refuge and salvation among Clemente’s saints.

“Broken Sky” blends both past with present and fact with fiction as it dramatizes the deep, lasting impact of an actual 1948 plane crash in which 28 Mexican nationals were killed near Fresno, California. Inspired by the haunting folk ballad “Deportee (Plane Wreck at Los Gatos)” by Woody Guthrie, the film tells the story of Rodrigo Cortinas (Victor Campos), a former migrant worker who was supposed to be on the plane and lost his wife in the crash. Now, 50 years later, as he approaches death, Rodrigo is visited by the spirit of Rosario (Diane Uribe), the wife he lost long ago. Meanwhile, his grown son Mario (Robert Beltran) feels it is time to move him into a nursing home. In a journey that is both funny and sad, the irascible old man sets out to catch the plane he missed years ago — a journey that, spiritually at least, finally heals him.

The Filmmaker

  1. Carlos AvilaProducer