• 1/17/03

    Chiefs

    Film Follows Championship Native American Basketball Team Over Two Years

    CHIEFS Airs Nationally on Independent Lens April 1, 2003 at 10:00 P.M. on PBS "Once upon a time, among the Arapaho, there was a group of highly respected young men that served as messengers. In the Arapaho language, we referred to them as ‘those that fl

    For Immediate Release

    Contact: Cara White, 843/881-1480; carapub@aol.com Mary Lugo, 770/623-8190; lugo@negia.net Nancy Fishman, 415/356-8383 x226; Nancy_Fishman@itvs.org

    (San Francisco, CA)—Every November for the last eighteen years, Al Redman has unlocked the cage for Wyoming Indian High School's first day of boys' basketball practice. And every year so far he's found a way to win. The silver-haired Redman has chalked up an impressive record as head coach of the powerhouse Chiefs, including five state championships and a record 50-game winning streak. But it has been eight years since the Chiefs have won a state title, a long time for a team that is the focal point for the community of Wind River, Wyoming. CHIEFS, a film directed by Daniel Junge and produced by Donna Dewey and Henry Ansbacher, follows the team through two seasons of heart-stopping basketball that prove critical for the futures of the athletes. The film will air nationally on the PBS series Independent Lens on April 1, 2003 at 10:00 P.M. (check local listings).

    Wind River Indian Reservation, where traditional enemies Northern Arapaho and Eastern Shoshone were confined by the U.S. government on 3,500 square miles of central Wyoming, is hardly conducive to success. Poverty, alcoholism, racism and youth suicide are just a few of the challenges the cultures face. But despite all of this—or perhaps because of it—basketball is played on the rez and played very well.

    Why are the Chiefs so good? Because they grow up playing together from the time they can walk? Because they come from a warrior tradition? Because they are naturally gifted athletes? Because they play for a school built as an alternative to the non-Indian schools they compete against? Because they attend sweat lodges and observe other tribal traditions together? Or because there is nothing else to do on the rez? The film explores the complex factors that contribute to the Chiefs playing an incredible game of basketball.

    Success on the court has not always carried over into other arenas, such as higher education and employment. Over the two years captured in the film, however, there are signs that this legacy might be broken, with role models like Assistant Coach Owen St. Clair returning to the community to help out after obtaining his college degree.

    Through triumph and heartbreak, CHIEFS shows the whole reservation, from babies to grandmas, coming out to support the team, especially at the state tournament, where as many as 3,000 show up to cheer them on. "Last one on the rez, turn off the lights,” has become the slogan every March.

    It is a truism that basketball tends to thrive in the direst of circumstances. More than escapism, it provides youth with a sense of belonging and camaraderie, a means of achieving some sort of victory, an opportunity to explore life off the rez. In CHIEFS, we see a group of young men trying to convert the pride and success they experience on the basketball court and move ahead with the rest of their lives. By chronicling the experiences of these young players over the course of two years, CHIEFS shows what it's like to grow up Native American in the 21st century.

    For more information, go to www.pbs.org/chiefs


    CHIEFS Credits

    Director Daniel Junge Producers Donna Dewey

                    Henry Ansbacher
    

    Editor Dena Mermelstein Original Music Jim Wilson Camera Daniel Junge Additional Camera Scott Jones

                    Rich Lerner
                    Jim Goldsworthy
                    Mark Kroll
                    Rock Obenchain
    

    Associate Producer Mark Junge

    Featured Interviewees:

    Al Redman, Chief Head Coach Owen St. Clair, Assistant Coach

    Season of 1999–2000 Brian Soundingsides, Senior Gerry Redman, Senior Al C'Bearing, Junior Tim Robinson, Junior Beaver C'Bearing, Senior

    Season of 2000–2001 Tim Robinson, Senior Al C'Bearing, Senior Gerry Redman, Senior

    Awards

    Best Documentary, 2002 TriBeca Film Festival

    About the Filmmakers

    Daniel Junge (Director/Camera) received his Bachelor's degree from Colorado College and attended film school at New York University. His 40-minute film Road Movie screened at the Denver and New Orleans Film Festivals. Since 1994, he has worked within the American and British film industries as an assistant director, assistant editor and researcher. Junge was born in Wyoming and played basketball for his high school, which won the state championship. "We knew about the Chiefs but we didn't play them,” says Junge. "We didn't want to play them because it was a losing proposition.”

    Donna Dewey (Producer) won the 1997 Academy Award for Best Documentary Short for her film A Story of Healing, which followed a group of volunteer plastic surgeons as they traveled to the Mekong Delta of Vietnam to perform reconstructive facial surgery on children with severe deformities. She has been writing, producing and directing films for over twenty years, and her documentaries have screened at film festivals around the world. Some of her projects include House on Fire; Sister's Keeper; Coming to Life, a three-part series documenting the AIDS epidemic in the African American community; Homeboys, I, II and III, a series which followed 10 members of the Crips and the Bloods over eight years; and Elijah's Story, a case history of a 16-month-old boy who was shaken to death by his father in an uncharacteristic fit of rage. Her work has been broadcast on PBS, the Learning Channel, BET and national cable networks. Dewey's production company, Dewey-Obenchain Films, is the most successful commercial production company in the Rocky Mountain region and has produced commercials for a national clientele, including General Foods, Ford Motor Company and McDonalds. Dewey also serves as a commissioner for the Denver Mayor's Office of Art, Culture and Film.

    Henry Ansbacher (Producer) attended New York University film school, received a Bachelor's degree from Colorado College and a Master's degree from the University of Denver. CHIEFS is his first feature producing credit, although he has produced and directed shorter work that has screened at festivals in Vienna and Denver. In addition to producing independent documentaries, Ansbacher currently serves as the executive director of The Just Media Fund, a nonprofit production company and media foundation.

    About Independent Lens

    Independent Lens is a groundbreaking weekly primetime PBS series that airs on Tuesday nights at 10 P.M. and presents American and international documentaries and a limited number of dramas. Each week Independent Lens bursts onto the screen and presents a unique individual, community or moment in history to bring viewers gripping stories that inspire, engage, provoke and delight. From pioneering women surfers to brilliant composers to brave resistance fighters, Independent Lens introduces people whose stories are unforgettable. Independent Lens is for curious viewers of all ages, ethnicities and backgrounds; all that's required is a TV and an inquiring mind. The Executive Producer of Independent Lens is Sally Jo Fifer, ITVS Executive Director. Independent Lens is funded by the Corporation for Public Broadcasting (CPB), with additional funding provided by PBS.

    About ITVS

    Independent Television Service (ITVS) funds and presents award-winning documentaries and dramas on public television, innovative new media projects on the Web, and the weekly series Independent Lens on Tuesday nights at 10 P.M. on PBS. ITVS is a miracle of public policy created by the vision of media activists, citizens and politicians seeking to foster plurality and diversity in public television. ITVS was established by a historic mandate of Congress to champion independently produced programs that take creative risks, spark public dialogue and serve underserved audiences. Since its inception in 1991, ITVS programs have revitalized the relationship between the public and public television, bringing TV audiences face-to-face with the lives and concerns of their fellow Americans. Contact ITVS at itvs@itvs.org or visit www.itvs.org. ITVS is funded by the Corporation for Public Broadcasting, a private corporation funded by the American People.

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