http://cdn.itvs.org/blacking_up_hip_hop-background.jpg
  • Is imitation sincerely flattery, or could it be an insidious form of mockery?

    Is imitation sincerely flattery, or could it be an insidious form of mockery?

    http://cdn.itvs.org/blacking_up_hip_hop-360.jpgmp4:blacking_up_hip_hop-360-1024.mov
  • C-Note, of the hip-hop "tribute band" Too White Crew performing in Bloomington, IN

    C-Note, of the hip-hop "tribute band" Too White Crew performing in Bloomington, IN

    http://cdn.itvs.org/blacking_up_hip_hop-01.jpg

The Film

Blacking Up: Hip-Hop’s Remix of Race and Identity explores tensions surrounding white participation in hip-hop. Popularly referred to by derogatory terms such as “wannabe” or “wigger,” the figure of the white person who identifies with hip-hop often invokes heated responses. For some, it is an example of cultural progress — a movement toward a color-blind America. For others, it is just another case of cultural theft and mockery — a repetition of a racist past.

The Filmmaker

  1. Robert A. CliftProducer/Director

Robert A. Clift is a filmmaker from Washington, D.C., whose previous film Stealing Home: The Case of Cuban Baseball appeared nationally on PBS. He is currently writing his dissertation for the Department of Communication and Culture at Indiana University, where he also taught courses on documentary production and theory. He holds a master’s degree from Indiana University and a bachelor’s degree from Pomona College.