Show 2:

CULTURE WARS

Produced, directed, and edited by
Tina DiFeliciantonio and Jane C. Wagner

"There is a religious war going on in this country. It is a cultural
war as critical to the kind of nation we shall be as the Cold War
itself, for this war is for the soul of America."
		-- Pat Buchanan


The Independent Television Service (ITVS) presents CULTURE WARS, the second program in the four-part series, THE QUESTION OF EQUALITY. Despite incremental civil rights gains made by gay and lesbians in the 1970s and early '80s, increased lesbian and gay political successes and clout were met by a national revival of anti-gay sentiment, further fueled in part as the AIDS crisis exploded. Incidents of gay-bashing and hate crimes increased. CULTURE WARS explores the widespread rise of homophobia and takes us behind the political and religious efforts to turn back the clock and dismantle the social, cultural, and legal gains of the gay and lesbian movement.

The program opens in New York, 1990. The city's gay community has battled with AIDS for a decade, and with AIDS came a startling increase of anti-gay violence. On a hot summer night in Queens, a young gay man named Julio Rivera is bludgeoned with a hammer and wrench before he is finally stabbed to death with a kitchen knife in a schoolyard. Despite the fact that his three killers openly bragged about the murder to their friends, it took months of organized protest by Riveras friends, his family, and community groups before the murderers were finally brought to justice. As Julio's former lover, Alan Sack, says, "The gay community in Queens reached its limit with Julios death, and said 'No more. No one has to like us, but, by the same token, no one has the right to do us bodily harm or deny us our civil rights."

"Family values" became a hot topic on conservative talk radio and TV. Hate crimes against lesbians and gay men continued to rise. In this explosive, homophobic milieu, Marlon Riggs' Tongues Untied aired nationally on PBS. A ground-breaking exploration of the experience of being both African-American and gay, and partially funded by the National Endowment for the Arts and the Corporation for Public Broadcasting, the program sparked outrage among conservatives across the country. Jesse Helms and the radical right vilified the show, raising the Tongues Untied in a television ad accusing then-President George Bush of promoting homosexuality. Throughout the debate, Riggs, who died of AIDS in 1994, eloquently reminded the public that taxpayer dollars also come from African-Americans, gay men, and lesbians.

CULTURE WARS concludes in Oregon where a conservative group called the Oregon Citizens Alliance mounted a highly organized and well-funded campaign to pass Ballot Measure 9, an amendment to the states constitution that would severely limit the rights of gays and lesbians (and declaring homosexuality to be unnatural and perverse). Claiming that homosexuals would seduce children and destroy family values, and calling antidiscrimation legislation special rights, a regional chapter of Pat Robertsons Christian Coalition, the Oregon Citizens Alliance (OAC), mobilized a populace seemingly eager to find a scapegoat for their social and financial worries. Although Ballot Measure 9 was narrowly defeated, Oregon's gays and lesbians were shaken by the power of the opposition's hate-filled rhetoric.

If, as Pat Buchannan said, "[this] culture war is critical to the kind of nation we shall be" each victory, each defeat in the courts, in the voting booth, in the media is paramount. The conviction of Julio Rivera's three killers was a temporary victory. Due to legal technicalities, two of the three are now awaiting retrial later this year. The American public and Congress continue to debate the future of public funding for the arts and public broadcasting. The OAC presented another anti-gay initiative to voters in 1994, this time losing by a smaller margin. They are predicting victory in '96. As activist Kathleen Saadat reminds us, "Anything that tells you [that] you're not a part of the human family is a violent act and that can be words, or deeds, or legislation. We are in trouble. We have a lot to do."